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What is landscape? How does it differ from 'land'? Does landscape always imply something to be pictured, a scene? When and why did we begin to cherish images of nature? What is 'nature'? Is it everything that isn't art, or artefact? This book explores many fascinating issues raised by the great range of ideas and images of the natural world in Western art since the Renaissance. Using a thematic structure many issues are examined, for instance: landscape as a cultural construct; the relationship between landscape as accessory or backdrop and landscape as the chief subject; landscape as constituted by various practices of framing; the sublime and ideas of indeterminacy; landscape art as picturesque or as exploration of living processes. These issues are raised and explored in connection with Western cultural movements, and within a full international and historical context. Many forms of landscape art are included: painting, gardening, panorama, poetry, photography, and art. The book is designed to both take stock of recent interdisciplinary debates and act as a stimulus to rethinking our assumptions about landscape.

Based on new and existing research by a world-class scholar, this is the first book in twenty years to examine the dynamics of the entire American-West European relationship since 1945. The relationship between the United States and Western Europe has always been crucial, and recent events dictate that it is becoming ever more so. In this important new work, Geir Lundestad analyses the balance between the cooperation and conflict which has characterized this relationship in the post-war period. He examines talk of transatlantic drift, and the strain now apparent between the USA and the nation states of Western Europe. In the concluding section, Lundestad offers a topical view of the future of transatlantic interaction. Throughout the work Lundestad's much cited 'empire by invitation' thesis is both put into practice and extended in time and scope. This book is essential reading for anyone interested in one of the most important and enduring international relationships of the last sixty years.

'Whenever two Russians come together, the shadow of autocracy is with them...haunting the secret of their silences.' First published in 1911, Under Western Eyes traces the experiences of Razumov, a young Russian student of philosophy who is uninvolved in politics or protest. Against his will he finds himself caught up in the aftermath of a terrorist bombing directed against the Tsarist authorities. He is pulled in different directions - by his conscience and his ambitions, by powerful opposed political forces, but most of all by personal emotions he is unable to suppress. Set in St Petersburg and Geneva, the novel is in part a critical response to Dostoevsky's Crime and Punishment but it is also a startlingly modern book. Viewed through the 'Western eyes' of Conrad's English narrator, Razumov's story forces the reader to confront the same moral issues: the defensibility of terrorist resistance to tyranny, the loss of individual privacy in a surveillance society, and the demands thrown up by the interplay of power and knowledge. This new edition is based on the first English edition text, and has a new chronology and bibliography.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Written for anyone who wants to learn about the intellectual development of mankind and the history of human thought - with no prior knowledge of philosophy assumed, but serious and deep enough to offer a genuine understanding.

Western esotericism has now emerged as an academic study in its own right, combining spirituality with an empirical observation of the natural world while also relating the humanity to the universe through a harmonious celestial order. This introduction to the Western esoteric traditions offers a concise overview of their historical development. Nicholas Goodrick-Clarke explores these traditions, from their roots in Hermeticism, Neo-Platonism, and Gnosticism in the early Christian era up to their reverberations in today's scientific paradigms. While the study of Western esotericism is usually confined to the history of ideas, Goodrick-Clarke examines the phenomenon much more broadly. He demonstrates that, far from being a strictly intellectual movement, the spread of esotericism owes a great deal to geopolitics and globalization. In Hellenistic culture, for example, the empire of Alexander the Great, which stretched across Egypt and Western Asia to provinces in India, facilitated a mixing of Eastern and Western cultures. As the Greeks absorbed ideas from Egypt, Babylon, Assyria, and Persia, they gave rise to the first esoteric movements.From the late sixteenth to the eighteenth centuries, post-Reformation spirituality found expression in theosophy, Rosicrucianism and Freemasonry.Similarly, in the modern era, dissatisfaction with the hegemony of science in Western culture and a lack of faith in traditional Christianity led thinkers like Madame Blavatsky to look East for spiritual inspiration. Goodrick-Clarke further examines Modern esoteric thought the light of new scientific and medical paradigms along with the analytical psychology of Carl Gustav Jung. This book traces the complete history of these movements and is the definitive account of Western esotericism.

In 1773, James Boswell made a long-planned journey across the Scottish Highlands with his English friend Samuel Johnson; the two spent more than a hundred days together. Their tour of the Hebrides resulted in two books, A Journey to the Western Islands

A History of Western Choral Music explores the various genres, key composers, and influential works essential to the development of the western choral tradition. Author Chester L. Alwes divides this exploration into two volumes which move from Medieval music and the Renaissance era up to the 21st century. Volume I surveys the choral music of composers including Josquin, Palestrina, Purcell, Handel, and J.S. Bach while detailing the stylistic, textual, and extramusical considerations unique to the topics covered. Consideration of Renaissance music includes both sacred and secular works, specifically addressing the growth of sacred music, the rise of secular music, and the proliferation of sacred polyphony from Josquin to Palestrina. Discussion of the Baroque era is organized by geographic location, exploring the spread of Baroque style from Italy to German, France, and England. Volume I concludes by examining the aesthetic underpinnings of the early Classical and Romantic eras.Framing discussion within the political, religious, cultural, philosophical, aesthetic, and technological contexts of each era, A History of Western Choral Music offers readers specialized insight into major composers and works while providing a cohesive understanding of choral music's place in Western history.

This book is no less than a guide to the whole of Western philosophy-the ideas that have undergirded our civilization for two-and-a-half thousand years. Anthony Kenny tells the story of philosophy from ancient Greece through the Middle Ages and the Enlightenment into the modern world. He introduces us to the great thinkers and their ideas, starting with Plato, Aristotle, and the other founders of Western thought. In the second part of the book he takes us through a thousand years of medieval philosophy, and shows us the rich intellectual legacy of Christian thinkers like Augustine, Aquinas, and Ockham. Moving into the early modern period, we explore the great works of Descartes, Hobbes, Locke, Leibniz, Spinoza, Hume, and Kant, which remain essential reading today. In the nineteenth and twentieth centuries, Hegel, Mill, Nietzsche, Freud, and Wittgenstein again transformed the way we see the world.Running though the book are certain themes which have been constant concerns of philosophy since its early beginnings: the fundamental questions of what exists and how we can know about it; the nature of humanity, the mind, truth, and meaning; the place of God in the universe; how we should live and how society should be ordered. Anthony Kenny traces the development of these themes through the centuries: we see how the questions asked and answers offered by the great philosophers of the past remain vividly alive today. Anyone interested in ideas and their history will find this a fascinating and stimulating read.

This work examines a test case for the relationship between the polis and the Hellenistic empire focusing specifically on the interaction between Antiochos III and the cities of Western Asia Minor (226-188 BC). Such a study is possible thanks to a rich epigraphical documentation which has been reproduced extensively and translated in an appendix to this book. Dr Ma approaches this material from a variety of angles: narrative history, structural analyses of imperial power, and analyses of the functions played by language and stereotype in the interaction between rulers and ruled. The result is to further a nuanced appreciation of the relation between the Hellenistic king and the Hellenistic polis by drawing attention to the power of the Hellenistic empires, to the capacity of political language to modify power relations, and to the efforts of the Hellenistic polis to preserve its sense of identity and civic pride, if not its political independence.