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A magnificent performance of Wagner?s seminal masterpiece, at mid-price. Notable above all for the fiery conducting of Carlos Kleiber, which helps create a reading of unsurpassable power and intensity. Soprano Catarina Ligendza gives a reading of accuracy, stamina, and impulsive drama. Helge Brilioth was one of the best Wagner tenors of recent years, although his career was disappointingly short. His Tristan is one of the best. Kurt Moll and Yvonne Minton are both superb as King Marke and Brangäne. Sir Donald McIntyre, who sings Kurwenal, has enjoyed an international career first in London, then at Wagner?s own theater in Bayreuth. His Met debut took place in 1975 in a Wagner role, and over the next twenty-one years he appeared there in 120 performances, exclusively in the German and Slavic repertoires. Live performance, Bayreuth, July 27, 1974.

Another first-class production of a major opera, with big-name cast & conductor and remastered sonics. Compare to the other (few) Tannhäuser recordings at twice the price and more. This Tannhäuser has been specially selected from the vast Opera d'Oro catalogue to be issued with a complete libretto in new translation for the Grand Tier series at midprice.An array of top Wagner signers lead the cast under the taut direction of German conductor Wolfgang Sawallisch. Tenor René Kollo, one of the best Wagner tenors of recent times, brings unusual lyricism to the title role. Radiant German soprano Gundula Janowitz is perfectly cast as the saintly heroine Elizabeth. Baritone Wolfgang Brendel sings the famous aria "O du mein holder Abendstern" as beautifully as any ever recorded, by popular acclaim. Mezzo Mignon Dunn, a once under-appreciated singer with a cult following nowadays, is a most alluring Venus.Live performance, Perugia, October 1, 1972

Wagner?s early masterpiece is heard in an authoritative, truly classic performance from the composer?s own theater in Bayreuth, Germany, the shrine and Mecca of the true Wagnerite. Some of the greatest singers of the era lead the cast, including Canadian- American bass-baritone George London (1920 ?1979), the first American ever to sing the Dutchman at Bayreuth; beloved Viennese soprano Leonie Rysanek (1926?1998), known as the ?Queen of Hearts? at the Salzburg Festival; and German bass Josef Greindl (1912?1993), a stalwart of the Deutsche Oper, Berlin, where he sang in 1,369 performances, mostly Wagner! The opera was inspired by Wagner?s reading of a book by Heinrich Heine, Edward Fitzball?s The Flying Dutchman or The Phantom Ship, and Wilhelm Hayff ?s Geisterschiff (Ghost Ship), as well as his own perilous sea voyage in 1839. Der fliegende Holländer is one of the most vivid and colorful of all German Romantic operas, with music that is often hair-raisingly exciting. This masterful performance has long been considered one of the most thrilling ever recorded. Opera d?Oro?s Grand Tier series presents the best-selling Opera d?Oro titles with libretto and deluxe new packaging at mid-price. The Opera d?Oro series has been an unqualified success in the budget category. Now, in response to popular demand, the best titles are being reissued with complete librettos in the original languages and fresh, new English translations, stimulating essays on the operas by eminent music writers, and striking artwork commissioned from Rafal Olbinski. Live performance, 1959.

Another first-class production of a major opera, with big-name cast & conductor and remastered sonics. Compare to the other (few) Tannhäuser recordings at twice the price and more. This Tannhäuser has been specially selected from the vast Opera d'Oro catalogue to be issued with a complete libretto in new translation for the Grand Tier series at midprice.An array of top Wagner signers lead the cast under the taut direction of German conductor Wolfgang Sawallisch. Tenor René Kollo, one of the best Wagner tenors of recent times, brings unusual lyricism to the title role. Radiant German soprano Gundula Janowitz is perfectly cast as the saintly heroine Elizabeth. Baritone Wolfgang Brendel sings the famous aria "O du mein holder Abendstern" as beautifully as any ever recorded, by popular acclaim. Mezzo Mignon Dunn, a once under-appreciated singer with a cult following nowadays, is a most alluring Venus.Live performance, Perugia, October 1, 1972...

A magnificent performance of Wagner’s seminal masterpiece, at mid-price. Notable above all for the fiery conducting of Carlos Kleiber, which helps create a reading of unsurpassable power and intensity. Soprano Catarina Ligendza gives a reading of accuracy, stamina, and impulsive drama. Helge Brilioth was one of the best Wagner tenors of recent years, although his career was disappointingly short. His Tristan is one of the best. Kurt Moll and Yvonne Minton are both superb as King Marke and Brangäne. Sir Donald McIntyre, who sings Kurwenal, has enjoyed an international career first in London, then at Wagner’s own theater in Bayreuth. His Met debut took place in 1975 in a Wagner role, and over the next twenty-one years he appeared there in 120 performances, exclusively in the German and Slavic repertoires. Live performance, Bayreuth, July 27, 1974....

Wagner’s early masterpiece is heard in an authoritative, truly classic performance from the composer’s own theater in Bayreuth, Germany, the shrine and Mecca of the true Wagnerite. Some of the greatest singers of the era lead the cast, including Canadian- American bass-baritone George London (1920 –1979), the first American ever to sing the Dutchman at Bayreuth; beloved Viennese soprano Leonie Rysanek (1926–1998), known as the “Queen of Hearts” at the Salzburg Festival; and German bass Josef Greindl (1912–1993), a stalwart of the Deutsche Oper, Berlin, where he sang in 1,369 performances, mostly Wagner! The opera was inspired by Wagner’s reading of a book by Heinrich Heine, Edward Fitzball’s The Flying Dutchman or The Phantom Ship, and Wilhelm Hayff ’s Geisterschiff (Ghost Ship), as well as his own perilous sea voyage in 1839. Der fliegende Holländer is one of the most vivid and colorful of all German Romantic operas, with music that is often hair-raisingly exciting. This masterful performance has long been considered one of the most thrilling ever recorded. Opera d’Oro’s Grand Tier series presents the best-selling Opera d’Oro titles with libretto and deluxe new packaging at mid-price. The Opera d’Oro series has been an unqualified success in the budget category. Now, in response to popular demand, the best titles are being reissued with complete librettos in the original languages and fresh, new English translations, stimulating essays on the operas by eminent music writers, and striking artwork commissioned from Rafal Olbinski. Live performance, 1959....

A magnificent performance of Wagner’s seminal masterpiece, at mid-price. Notable above all for the fiery conducting of Carlos Kleiber, which helps create a reading of unsurpassable power and intensity. Soprano Catarina Ligendza gives a reading of accuracy, stamina, and impulsive drama. Helge Brilioth was one of the best Wagner tenors of recent years, although his career was disappointingly short. His Tristan is one of the best. Kurt Moll and Yvonne Minton are both superb as King Marke and Brangäne. Sir Donald McIntyre, who sings Kurwenal, has enjoyed an international career first in London, then at Wagner’s own theater in Bayreuth. His Met debut took place in 1975 in a Wagner role, and over the next twenty-one years he appeared there in 120 performances, exclusively in the German and Slavic repertoires. Live performance, Bayreuth, July 27, 1974....