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(Music Sales America). The six Flute Sonatas of J.S. Bach fall into two groups of three. In Nos. 1-3 the composer provided a concertante keyboard part, where the right hand is as musically important as the flute and bass lines, apart from the occasional pa

Celebrating the Tricentenary of his birth, this new release presents Carl Philipp Emanuel Bach's complete sonatas for flute solo and harpsichord.Passion and music went hand in hand in the Baroque era. Not only was music a way to express the passion of the composer, but it could also stimulate it in the listener. In this special collection of Carl Philipp Emmanuel Bach's complete solo flute sonatas, it is easy to hear how the composer kept his emotions close to the surface, as he pours into his works the joy and irritations of his daily life. These wonderful performances draw the listener in to the imagination of the composer and allow them to feel his innermost blushes, tears and ecstasy.The sonatas are performed on period instruments by Musica ad Rhenum, one of the world's leading early music groups, which has earned an international following since its formation in 1992. Jed Wentz plays the transverse flute, and is accompanied by Job ter Haar (cello) and Michael Borgstede (harpsichord).Other information:- Recorded in 2012 and 2013.- Contains information on the works, the period instruments and performers.- Carl Philipp Emanuel is the most adventurous and original of the great Johann Sebastian's many composing sons. His style is free, elaborate and highly personal, embodying the "Sturm und Drang" movement of his time, which gave prominence to the expression of personal feelings and emotions.- A warm welcome to this first new solo recording in several years by Jed Wentz, highly esteemed traverso player, champion of the Historically Informed Performance Practice, scholar and passionate musician. His former recordings for Brilliant Classics have been highly acclaimed; his Bach Flute Sonatas received the prestigious Diapason d'Or. Again his partner is Michael Borgstede, himself a brilliant soloist (his BC discography contains the Suites by Handel and the harpsichord works by Couperin), together forming a perfect match in this highly attractive music.

The rather damning assessment by Carl Friedrich Zelter that Wilhelm Friedemann Bach ?had the tic douloureux of being an original character, growing apart from his father and brothers and resorting to foolish, petty, unprofitable dealings? should not deter listeners from appreciating the musical talent of a composer who was among the main forerunners of the emerging Empfindsamkeit style. C.F. Cramer described him as ?Germany?s foremost organ player?, and Wilhelm?s radical harpsichord concertos certainly refuted contemporary critics? claims that he was simply a continuation of his father; this release, however, is dedicated to a small corner of his output, chamber music with flute, and details two works which may be among the three lost sonatas for flute and basso continuo.Indeed, though they retain much of the Baroque tradition, these salon works nevertheless betray Wilhelm?s independent style through their use of daring modulations, thoroughly modern motivic treatment and finely shaped melodies whose course can rarely be anticipated. It is likely that some of the sonatas were adapted from W.F. Bach?s clavier music, in view of the fact that many of the virtuoso features are not entirely suited to the flute ? The Siciliano of the E minor sonata, for example, is also found as the middle movement of the harpsichord sonata WFB A 10 ? but this does not detract from their charming, even at times slightly unpredictable, nature. Featuring a wealth of engaging performances from some of The Netherlands? leading period instrumentalists, this release presents Bach aficionados with a rare opportunity to tap into a little-known area of the oeuvre of Johann Sebastian Bach?s eldest son.Other information:- Recorded 24?26 January 2005, Lutherse Kerk, Haarlem, The Netherlands.- This CD presents Wilhelm Friedemann?s works for flute, either as solo sonata or in trio combination, music of great beauty, melodic charm and invention and instrumental brilliance.- Although the output of Johann Sebastian?s eldest son is comparatively small, the significance of his style, as a logical and truthful successor of his father, is great. His style, based on the Baroque principles, is free, adventurous and forward-looking, the ?Empfindsame Stil?. It serves as a bridge between the Baroque and the Classical Period.- Played by the best Dutch Early Music specialists on period instruments.- Contains detailed notes on the music and instrument specification.

Celebrating the Tricentenary of his birth, this new release presents Carl Philipp Emanuel Bach's complete sonatas for flute solo and harpsichord.Passion and music went hand in hand in the Baroque era. Not only was music a way to express the passion of the composer, but it could also stimulate it in the listener. In this special collection of Carl Philipp Emmanuel Bach's complete solo flute sonatas, it is easy to hear how the composer kept his emotions close to the surface, as he pours into his works the joy and irritations of his daily life. These wonderful performances draw the listener in to the imagination of the composer and allow them to feel his innermost blushes, tears and ecstasy.The sonatas are performed on period instruments by Musica ad Rhenum, one of the world's leading early music groups, which has earned an international following since its formation in 1992. Jed Wentz plays the transverse flute, and is accompanied by Job ter Haar (cello) and Michael Borgstede (harpsichord).Other information:- Recorded in 2012 and 2013.- Contains information on the works, the period instruments and performers.- Carl Philipp Emanuel is the most adventurous and original of the great Johann Sebastian's many composing sons. His style is free, elaborate and highly personal, embodying the "Sturm und Drang" movement of his time, which gave prominence to the expression of personal feelings and emotions.- A warm welcome to this first new solo recording in several years by Jed Wentz, highly esteemed traverso player, champion of the Historically Informed Performance Practice, scholar and passionate musician. His former recordings for Brilliant Classics have been highly acclaimed; his Bach Flute Sonatas received the prestigious Diapason d'Or. Again his partner is Michael Borgstede, himself a brilliant soloist (his BC discography contains the Suites by Handel and the harpsichord works by Couperin), together forming a perfect match in this highly attractive music....