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Symphony No. 1 in G Minor, Op. 13 ?Winter dreams?1812 Ouverture: Festival Overture in E-Flat, Op. 49Symphony No. 2 in C Minor, Op. 17 ?Little Russian?Francesca Da Rimini: Symphonic Fantasia in E Minor after DanteSymphony No. 3 in D, Op. 29 ?Polish?Hamlet Fantasy Overture for orchestra in F minor, Op. 67aSymphony No. 4 in F Minor, Op. 36Marche Slave, Op. 31Symphony No. 5 in E Minor, Op. 64Capriccio Italien,, Op. 45Symphony No. 6 in B Minor, Op. 74 ?Pathétique?Overture ? The StormManfred Symphony in B Minor, Op. 58Romeo and Juliet: Fantasy Overture after Shakespeare

Here's another fine disc, unavailable for some time, now receiving a new lease of life, and with no significant competition. It's true that the complete works for cello and orchestra amount to less than half this disc's duration, comprising as they do a couple of miniatures (the Pezzo Capriccioso and Nocturne) and the evergreen Rococo Variations. But the first point of importance is that the fine Russian cellist Alexander Rudin plays the original version of the score, and not the much more widely available piece of well-meaning butchery by a cellist of chaikovsky's own time,Wilhelm Fitzenhagen. Fitzenhagen fiddled around with the order of the variations and left one out altogether, as well as somewhat simplifying the composer's original and strenuous but effective demands upon the soloist. A return to the original reveals what we have been missing in the way of a rather more substantial and coherent work, and there are but one or two rival versions on the market.In addition, Rudin complements the Variations with the gorgeous interlude from Swan Lake that features a solo cello, as well as an arrangement of the famous Andante cantabile from the First String Quartet. He then conducts this Muscovy orchestra himself in the Serenade for Strings.Alexander Rudin was born in 1960 and studied with the cello legend Daniil Shafran. His pedigree in this music is impeccable.

Tchaikovsky?s three ballets ? Swan Lake, The Sleeping Beauty and The Nutcracker ? are all much-loved treasures of the balletic canon, having undergone countless performances and reinterpretations. Yet this was not always so. It took time for their status to be established, and reactions to the productions were decidedly mixed during Tchaikovsky?s lifetime. Particularly saddening is the fact that the great composer died believing Swan Lake, perhaps his most celebrated ballet today, to be a failure ? although this is in part due to the fact that the choreography most associated with the work today was developed after his death. The Sleeping Beauty, meanwhile, suffered the insult of a lukewarm imperial reception on its presentation to Tsar Alexander III in 1890; and Tchaikovsky himself believed The Nutcracker to be an inferior work, ?infinitely worse than Sleeping Beauty?, in his own words.We are lucky, then, that choreographers, conductors and other artists have continued to acknowledge the value of these masterworks, and continued to develop them over many decades, bringing them into their current, incomparable form. On this CD, the sheer magic of the music is audible from start to finish, and Tchaikovsky?s audacious gift for melody-crafting is unmistakable. It is astonishing to imagine how far they have had to come.The magnificent Royal Philharmonic Orchestra does justice to each musical world, under the baton of three different and seasoned conductors, each of whom very much makes his mark on these multi-interpretable works of genius.Other information:- Recordings made in 1995, 2009 and 2010.- All three ballets by Tchaikovsky in one release!- Tchaikovsky?s ballets, Nutcracker, Sleeping Beauty and Swan Lake, are by far the most popular ballet music ever written, and count among the master?s most famous works. Tchaikovsky, tormented genius, found relief in writing these brilliant, featherweight works, conjuring up fantasy worlds of feel good fairy tales. Some numbers have become top-10 Classical Favourites, such as the Flower Waltz, Waltz of the Swans, Dance of the Sugar plum Fairy and many more.- Performances by the famous Royal Philharmonic Orchestra.- Booklet contains detailed notes on the music and plot of each work.

Tchaikovsky: Complete Orchestral SuitesOrchestral Suite No.1 in D minor Op.43Orchestral Suite No.2 in C Op.53 ?Suite caractéristiqueOrchestral Suite No.3 in G Op.55Orchestral Suite No.3 in G Op.55*Radio-Sinfonieorchester StuttgartSir Neville Marriner

Here's another fine disc, unavailable for some time, now receiving a new lease of life, and with no significant competition. It's true that the complete works for cello and orchestra amount to less than half this disc's duration, comprising as they do a couple of miniatures (the Pezzo Capriccioso and Nocturne) and the evergreen Rococo Variations. But the first point of importance is that the fine Russian cellist Alexander Rudin plays the original version of the score, and not the much more widely available piece of well-meaning butchery by a cellist of chaikovsky's own time,Wilhelm Fitzenhagen. Fitzenhagen fiddled around with the order of the variations and left one out altogether, as well as somewhat simplifying the composer's original and strenuous but effective demands upon the soloist. A return to the original reveals what we have been missing in the way of a rather more substantial and coherent work, and there are but one or two rival versions on the market.In addition, Rudin complements the Variations with the gorgeous interlude from Swan Lake that features a solo cello, as well as an arrangement of the famous Andante cantabile from the First String Quartet. He then conducts this Muscovy orchestra himself in the Serenade for Strings.Alexander Rudin was born in 1960 and studied with the cello legend Daniil Shafran. His pedigree in this music is impeccable....

Symphony No. 1 in G Minor, Op. 13 ‘Winter dreams’1812 Ouverture: Festival Overture in E-Flat, Op. 49Symphony No. 2 in C Minor, Op. 17 ‘Little Russian’Francesca Da Rimini: Symphonic Fantasia in E Minor after DanteSymphony No. 3 in D, Op. 29 ‘Polish’Hamlet Fantasy Overture for orchestra in F minor, Op. 67aSymphony No. 4 in F Minor, Op. 36Marche Slave, Op. 31Symphony No. 5 in E Minor, Op. 64Capriccio Italien,, Op. 45Symphony No. 6 in B Minor, Op. 74 ‘Pathétique’Overture – The StormManfred Symphony in B Minor, Op. 58Romeo and Juliet: Fantasy Overture after Shakespeare...

Symphony No. 1 in G Minor, Op. 13 ‘Winter dreams’1812 Ouverture: Festival Overture in E-Flat, Op. 49Symphony No. 2 in C Minor, Op. 17 ‘Little Russian’Francesca Da Rimini: Symphonic Fantasia in E Minor after DanteSymphony No. 3 in D, Op. 29 ‘Polish’Hamlet Fantasy Overture for orchestra in F minor, Op. 67aSymphony No. 4 in F Minor, Op. 36Marche Slave, Op. 31Symphony No. 5 in E Minor, Op. 64Capriccio Italien,, Op. 45Symphony No. 6 in B Minor, Op. 74 ‘Pathétique’Overture – The StormManfred Symphony in B Minor, Op. 58Romeo and Juliet: Fantasy Overture after Shakespeare...

Here's another fine disc, unavailable for some time, now receiving a new lease of life, and with no significant competition. It's true that the complete works for cello and orchestra amount to less than half this disc's duration, comprising as they do a couple of miniatures (the Pezzo Capriccioso and Nocturne) and the evergreen Rococo Variations. But the first point of importance is that the fine Russian cellist Alexander Rudin plays the original version of the score, and not the much more widely available piece of well-meaning butchery by a cellist of chaikovsky's own time,Wilhelm Fitzenhagen. Fitzenhagen fiddled around with the order of the variations and left one out altogether, as well as somewhat simplifying the composer's original and strenuous but effective demands upon the soloist. A return to the original reveals what we have been missing in the way of a rather more substantial and coherent work, and there are but one or two rival versions on the market.In addition, Rudin complements the Variations with the gorgeous interlude from Swan Lake that features a solo cello, as well as an arrangement of the famous Andante cantabile from the First String Quartet. He then conducts this Muscovy orchestra himself in the Serenade for Strings.Alexander Rudin was born in 1960 and studied with the cello legend Daniil Shafran. His pedigree in this music is impeccable....

Kryjące w sobie bogactwo inwencji melodycznej, barw, liryzmu i dramatyzmu symfonie Czajkowskiego, jednocześnie wskazują na rozwój, jaki uczynił się w jego życiu artystycznym i osobistym, osiągając swój majestatyczny finał w wielkiej, nasyconej zagładą symfonii `Pathétique`. `Cykl Czajkowskiego w wykonaniu orkiestry Philharmonia pod batutą Mutiego, jest jednym z najbardziej spójnych, jakie kiedykolwiek nagrano` – pisał Gramophone, dodając: `Temperament dyrygenta balansuje ciepło brzmienia i wyrazista fantazja`.