Kangoo.plSzukamy produktów wśród ponad 10 mln ofert sklepów internetowych

Mendelssohn?s passion for the organ was due in part to his Lutheran upbringing, but he also owes much to his famous predecessor, J.S. Bach, whose influence is especially felt in the Ostinato in C minor. While he only composed sporadically for the organ between 1823 and 1831, Mendelssohn reached new heights of awareness in his composition in the 1830s. A visit to England in 1832 saw him commissioned to write some organ music for publisher Vincent Novello, and in his lifetime he would be much admired by (and admire in turn) several leading English organists, including Thomas Attwood, to whom he dedicated the Three Preludes and Fugues Op.37 in 1837, which can be found on discs 1 and 2. The end of disc 2, and the entirety of disc 3, is devoted to his last and most significant works for the organ, the Six Sonatas Op.65, which were commissioned by English publishers Coventry & Hollier in 1844.This release is the first complete recording of Mendelssohn?s organ music by an Italian organist, adapting this iconic composer?s work to modern Italian instruments and thus presenting it from a slightly different perspective. Giulio Piovani first studied the organ under Giuseppe Gai at the ?A. Vivaldi? Conservatory of Alessandria. He then went on to specialise at the ?F. Ghedini? Conservatory of Cuneo, and has since worked with the Academia di Musica Sacra di S. Rocco di Alessandria and the Diocese of Vigevano. He is currently organist of the Waldesian Temple of Milan, since 2011.Other information- Recorded in 2013 in Italy.- This 3CD set contains the complete music written for organ by Felix Mendelssohn.- Mendelssohn was a great admirer of Johann Sebastian Bach (it was he who revived the Matthäus Passion and performed it for the first time since the master?s death in 1750), therefore it is no wonder that he (a Lutheran) wrote a substantial body for the instrument.- The first two CD?s contain contrapuntal works, Preludes and Fugues in quasi Bach style (of amazing skill and emotional content!), whereas the 3rd CD is devoted to the 6 Grand Sonatas for the organ, a dazzling display of the instrument?s possibilities and his own creative powers, he really put his soul into these 6 masterworks!- Played by the young Italian virtuoso Giulio Piovani, on superb contemporary Italian instruments.- A valuable addition to the growing Brilliant Classics discography of organ recordings, of excellent quality and interest!- Booklet contains notes on the music, an artist biography and organ specifications.

Felix Mendelssohn-Bartholdy (1809-1847)Symphony No. 1 in C minor Op. 11Symphony No. 3 in A minor Op. 56 "Scottish"Symphony No. 2 in B flat Op. 52 "Lobensang"Symphony No. 4 in A Op. 90 "Italian"Symphony No. 5 in D Op. 108 "Reformation"String Symphony No, 1 in C String Symphony No. 6 in E flatString Symphony No. 7 in D minorString Symphony No. 12 in G minorString Symphony No. 2 in DString Symphony No. 3 in E minorString Symphony No. 9 in CString Symphony No. 10 in B minorString Symphony No. 4 in C minorString Symphony No. 5 in B flatString Symphony No. 13 in C minorString Symphony No. 8 in D (With winds)String Symphony No. 8 in D (With strings)String Symphony No. 11 in FWykonawcy:Wolfgang SawallischNew Philharmonia Orchestra

Mendelssohn, born at the very beginning of the 19th century, was a composer who stood at a number of junctures. Firstly, he straddled the sphere of the Classical masters and the new Romantic pathway being forged especially by Beethoven. Secondly, in his personal life, as a Jew who had converted to Protestantism, he struggled to be accepted fully into his new religion, despite his close adherence to its principles. Thirdly, and most relevantly to this collection, he was privy to an ongoing debate concerning the place and function of church music within religious services.These cantatas, although relatively disregarded by the overly self-critical composer and consequently only published in the 1970s and 80s, demonstrate Mendelssohn's ability to strike a pleasing and impressive balance between the two extremes of this debate. The pieces are certainly not 'utility music' intended merely to serve a specific purpose within a church service; but neither do they cast off the liturgical framework in the manner of Beethoven's Ninth or Mendelssohn's 'Reformation' Symphony. Each one succeeds in having its own captivating effect capable of transporting the listener.The Psalm Cantatas are performed here by the Chamber Choir of Europe who, among numerous other feats, have already recorded the complete sacred choral works of both Mozart and Mendelssohn. They are led by Nicol Matt, a specialist in church music who has had several releases on Brilliant Classics and sold over eight million CDs worldwide.Other information:- Recorded in 2002, Studio der Württembergischen Philharmonie Reutlingen.- The only single CD with the complete Psalm Cantatas available.- Mendelssohn's Psalm Cantatas are small scale works for vocal soloists, choir and orchestra, based on well known psalms, expressing the general emotional content of the psalm in dramatic and romantic musical language. The writing is firmly rooted in the German choral tradition, no wonder for a composer who revived Bach's Matthäus Passion in his time.- Single issue drawn from the set of the complete choral works by Mendelssohn performed by the Chamber Choir of Europe conducted by Nicol Matt, a set which received uniform praise in the international press, among others a prestigious "Diapason d'Or".- Contains sung texts and comprehensive liner notes on the composer and music as well as conductor/ensemble biographies.

Kompozytor: Felix Mendelssohn-Bartholdy (1809-1847)Wykonawcy:Luca Fiorentini ?Stauffer ? ex Cristiani? Stradivari cello (1700)Stefania Redaelli piano

The father of Felix and Fanny Mendelssohn eagerly facilitated their artistic upbringing. Felix's musical career took off from a young age and he was dubbed by Robert Schumann as 'the Mozart of the 19th century', while his similarly talented older sister was expected to keep music only as a hobby. This did not stop her from composing many pieces for playing in the home, some of which were later published under Felix's name. She is considered the most important female composer of the era.This collection brings together the Piano Trios of the siblings. Felix's unusually scored Trio for piano, violin and viola in C minor was written when he was just ten years old; beginning with a Baroque-style theme, its elfin motif, as featured later, is a clear pre-cursor to the music of A Midsummer Night's Dream. Op.49, which prefigures this work on the recording, dates from Felix's mature period and boasts a spectacular piano part, which the composer himself played at the premiere (the first movement has been referred to as a 'perfect synthesis of the mastery of Classical form with Romantic diction'); Op.66, meanwhile, is a passionate and exciting work -- his penultimate chamber piece and one that revisits elfin themes in the Scherzo, ending in a resplendent Bach-style chorale. The last work featured on the set, Fanny's Piano Trio contains a virtuosic piano part that begins with dramatic tremolos but later evolves into a calm, harp-like accompaniment, with a dance-like finale revisiting the second theme to provide a jubilant end to the collection.At the keyboard is Hrvoje Jugovic, who plays four different historical pianos throughout the recording. His fellow musicians are violinist Maria Bader-Kubizek, cellist Dorothea Schönwiese-Guschlbauer and violist Silvia Schweinberger.Other information:- New recording, recorded in 2009, Geinberg Hall Aigelsberg, Polling im Innkreis, Austria; 2010, Baroque Hall, Vorau Monastery, Austria.- An original concept: the works for piano trio by brother and sister Felix and Fanny Mendelssohn, performed on period instruments, featuring a range of no less than 4 historic fortepianos, a thrilling experience of these exciting piano trios!- The genius of Felix is universally recognised, the genius of Fanny however was kept under cover, since girls weren't supposed to become professional composers in her time. Too bad, as her piano trio is of great and substantial impact, both instrumental and emotional. Felix's piano trios are masterpieces in their genre, large scale and dramatic, glittering in instrumental virtuosity and brilliance, and vibrant with Felix's felicitous melodies.- Extensive liner notes, including information on the instruments used.

Mendelssohn, born at the very beginning of the 19th century, was a composer who stood at a number of junctures. Firstly, he straddled the sphere of the Classical masters and the new Romantic pathway being forged especially by Beethoven. Secondly, in his personal life, as a Jew who had converted to Protestantism, he struggled to be accepted fully into his new religion, despite his close adherence to its principles. Thirdly, and most relevantly to this collection, he was privy to an ongoing debate concerning the place and function of church music within religious services.These cantatas, although relatively disregarded by the overly self-critical composer and consequently only published in the 1970s and 80s, demonstrate Mendelssohn's ability to strike a pleasing and impressive balance between the two extremes of this debate. The pieces are certainly not 'utility music' intended merely to serve a specific purpose within a church service; but neither do they cast off the liturgical framework in the manner of Beethoven's Ninth or Mendelssohn's 'Reformation' Symphony. Each one succeeds in having its own captivating effect capable of transporting the listener.The Psalm Cantatas are performed here by the Chamber Choir of Europe who, among numerous other feats, have already recorded the complete sacred choral works of both Mozart and Mendelssohn. They are led by Nicol Matt, a specialist in church music who has had several releases on Brilliant Classics and sold over eight million CDs worldwide.Other information:- Recorded in 2002, Studio der Württembergischen Philharmonie Reutlingen.- The only single CD with the complete Psalm Cantatas available.- Mendelssohn's Psalm Cantatas are small scale works for vocal soloists, choir and orchestra, based on well known psalms, expressing the general emotional content of the psalm in dramatic and romantic musical language. The writing is firmly rooted in the German choral tradition, no wonder for a composer who revived Bach's Matthäus Passion in his time.- Single issue drawn from the set of the complete choral works by Mendelssohn performed by the Chamber Choir of Europe conducted by Nicol Matt, a set which received uniform praise in the international press, among others a prestigious "Diapason d'Or".- Contains sung texts and comprehensive liner notes on the composer and music as well as conductor/ensemble biographies....

Kompozytor: Felix Mendelssohn-Bartholdy (1809-1847)Wykonawcy:Luca Fiorentini ‘Stauffer – ex Cristiani’ Stradivari cello (1700)Stefania Redaelli piano...

Felix Mendelssohn-Bartholdy (1809-1847)Symphony No. 1 in C minor Op. 11Symphony No. 3 in A minor Op. 56 "Scottish"Symphony No. 2 in B flat Op. 52 "Lobensang"Symphony No. 4 in A Op. 90 "Italian"Symphony No. 5 in D Op. 108 "Reformation"String Symphony No, 1 in C String Symphony No. 6 in E flatString Symphony No. 7 in D minorString Symphony No. 12 in G minorString Symphony No. 2 in DString Symphony No. 3 in E minorString Symphony No. 9 in CString Symphony No. 10 in B minorString Symphony No. 4 in C minorString Symphony No. 5 in B flatString Symphony No. 13 in C minorString Symphony No. 8 in D (With winds)String Symphony No. 8 in D (With strings)String Symphony No. 11 in FWykonawcy:Wolfgang SawallischNew Philharmonia Orchestra...