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Stefano Molardi is shaping his recorded survey of Bach’s complete organ music as self-sufficient and musically satisfying recitals which, disc by disc, explore the diverse styles at the composer’s disposal, the flexible usage to which he, the ultimate ‘compleat musician’, puts ‘his’ instrument through its paces, and the different liturgical demands which he was required to meet during the course of his career as he moved from church to court and back again. Grand Weimar- and Leipzig-composed preludes and fugues rub shoulders with intricate trio sonatas which he had initially conceived as chamber music, and between them nestle intimate chorales from his Cöthen days.Accordingly, Molardi makes full use of the potential flexibility of his chosen Trost organ in the Stadtkirche ‘Zur Gotteshilfe’ in Waltershausen, deep in the provincial heart of Thuringia. This is Bach country, and although the organ has been periodically restored since it was finally inaugurated in 1755, almost 30 years after the work was begun, it retains the classic characteristics of its age and situation: a thorough restoration in 1998 returned the instrument to its original glory.Born in Cremona, Molardi has undertaken a Renaissance career as not only organist but harpsichordist, conductor and scholar, not only at home in the rarified confines of early music but a virtuoso who has performed the complete organ works of Liszt and Franck and made an extraordinary recording of Verdi arranged for organ. These Bach discs are, perhaps appropriately, less overtly spectacular but no less imaginative in their rhythmic and coloristic response.Other information:- A new recording (2013) of Bach’s complete organ works is, even in these overfed and crisis-stricken days, an event of the first order. First of all because the music is of such overwhelming beauty and power, one of the greatest creations of humanity, and secondly because there is still so much to discover and illuminate in these works.- These recordings are based on the choice of instruments: organist Stefano Molardi chose German instruments from Bach’s time, lending an authentic character to the project. This first set features the wonderful Trost Organ of the Stadtkirche Zur Gotteshilfe in Waltershausen, Thuringia, built in 1725 and gloriously restored in 1998.- Stefano Molardi is a “renaissance man”, organist, harpsichordist, scholar, historian and writer. He recorded extensively for Divox, DGG and other labels. His playing is clear, crisp, free and rhythmically vibrant.- The CD’s are programmed like concerto programmes, a fine diversity of genres and styles, to avoid monotony and uniformity.- All information on the organ, liner notes and artist biography are included in the booklet....

Here Stefano Molardi adds to his definitive survey of Bach’s complete organ music an extensive assortment of chorale preludes, concertos after other composers and some of the largest works in the great composer’s sizeable organ repertoire.Rather than organising the music by collection, Molardi provides great variety in his recording by juxtaposing the delicacy of works like the Trio in D minor BWV583 with the imposing Toccata and Fugue in D minor BWV538 and a selection of chorale preludes from the Orgelbüchlein (small-scale works, many under one minute in duration). The brilliant Piece d’orgue BWV572 and the Toccata, Adagio and Fugue in C BWV564 show off Bach’s compositional finesse in the French and Italian styles respectively. The fascinating Canonic Variations BWV769a (recorded here in the Leipzig manuscript version) were written as a kind of ‘entrance exam’ for the highly-regarded Mizler society; Bach proves his ability in a rigorous mathematical structure which remains musically exciting. Molardi plays the Zacharias Hildebrandt organ of the St. Jacobikirche, Sangerhausen, which has a close affinity with Bach’s organ music: the composer was friendly with Hildebrandt, who lived in Leipzig from 1734. The thrilling sound and variety of tonal colour offered by this instrument allows us to hear the music as closely as possible to how Bach himself might have known it....

The fourth volume in Stefano Molardi’s authoritative collection of J.S. Bach’s organ works, this four-CD release brings together some of the German composer’s most famous music. Chief among these is the Toccata and Fugue in D minor BWV565; with its unforgettable opening bars – doubled in the octave – flourished chromaticism, pauses and arpeggios on the diminished seventh, the piece has consistently drawn much critical attention. Some scholars have debated whether it was originally written for the violin, thanks to its astonishing virtuosity and use of parallel thirds and sixths, and others have questioned whether the composition was even penned by Bach himself.Also included on this release are the ‘Neumeister’ chorales; assembled by Johann Gottfried Neumeister in the 18th century, the collection wasn’t actually published until the 1980s, with the result that these little-recorded preludes still have plenty of room for a new interpretation.Most impressive of all is the range of styles Bach covers in his organ works; from the northern toccata style – which the composer began to utilise after a stay in Lübeck – a working of several intricate fugues finished with a toccata-style coda, to the mid-German Sangerhausen style, featuring unusually dissonant harmonisations.Stefano Molardi has chosen the Thielemann organ in Gräfenhain, Thuringia, especially for this release; dating from the 1720s and therefore from the time of the composer himself, its captures the spirit of the great composer’s age, lending a certain authenticity to the performances and allowing for a vast range of styles both grand and intimate.This 4th and last instalment of Bach’s Complete Organ Works by Stefano Molardi contains some of the most famous organ works by the master: the iconic Toccata & Fugue in D minor BWV 565, the complete Neumeister Chorales, and suitably finishing with one of the most shattering and original organ works ever written: the monumental Passacaglia in C minor BWV 582.The performances by Italian master organist Stefano Molardi have gained great international acclaim, most recently highly praised in BBC 3 CD Review. Playing on historical organs from the time of Bach (here on a magnificent 1720 Thielemann organ in Gräfenhain, Germany) he combines his scholarly historical knowledge with his deep understanding of the underlying human emotions of these eternal masterpieces.The booklet contains excellent liner notes, as well as the full specifications of the organ used.Other information:Recorded in Gräfenhain, Thuringia in September 2013Contains detailed notes for every CD by the performer...

Opis - Here Stefano Molardi adds to his definitive survey of Bach"s complete organ music an extensive assortment of chorale preludes, concertos after other composers and some of the largest works in the great composer"s sizeable organ repertoire.Rather than organising the music by collection, Molardi provides great variety in his recording by juxtaposing the delicacy of works like the Trio in D minor BWV583 with the imposing Toccata and Fugue in D minor BWV538 and a selection of chorale preludes from the Orgelbüchlein (small-scale works, many under one minute in duration). The brilliant Piece d"orgue BWV572 and the Toccata, Adagio and Fugue in C BWV564 show off Bach"s compositional finesse in the French and Italian styles respectively. The fascinating Canonic Variations BWV769a (recorded here in the Leipzig manuscript version) were written as a kind of "entrance exam" for the highly-regarded Mizler society; Bach proves his ability in a rigorous mathematical structure which remains musically exciting. Molardi plays the Zacharias Hildebrandt organ of the St. Jacobikirche, Sangerhausen, which has a close affinity with Bach?s organ music: the composer was friendly with Hildebrandt, who lived in Leipzig from 1734. The thrilling sound and variety of tonal colour offered by this instrument allows us to hear the music as closely as possible to how Bach himself might have known it. Nazwa - J. S. Bach: Complete Organ Music Volume 3 Autor - Molardi Stefano Wydawca - Brilliant Classics Kod EAN - 5028421949819 Rok wydania - 2013 Nośnik - Płyta CD Podatek VAT - 23%

Opis - The fourth volume in Stefano Molardi"s authoritative collection of J.S. Bach"s organ works, this four-CD release brings together some of the German composer"s most famous music. Chief among these is the Toccata and Fugue in D minor BWV565; with its unforgettable opening bars " doubled in the octave " flourished chromaticism, pauses and arpeggios on the diminished seventh, the piece has consistently drawn much critical attention. Some scholars have debated whether it was originally written for the violin, thanks to its astonishing virtuosity and use of parallel thirds and sixths, and others have questioned whether the composition was even penned by Bach himself.Also included on this release are the "Neumeister" chorales; assembled by Johann Gottfried Neumeister in the 18th century, the collection wasn"t actually published until the 1980s, with the result that these little-recorded preludes still have plenty of room for a new interpretation.Most impressive of all is the range of styles Bach covers in his organ works; from the northern toccata style " which the composer began to utilise after a stay in Lübeck " a working of several intricate fugues finished with a toccata-style coda, to the mid-German Sangerhausen style, featuring unusually dissonant harmonisations.Stefano Molardi has chosen the Thielemann organ in Gräfenhain, Thuringia, especially for this release; dating from the 1720s and therefore from the time of the composer himself, its captures the spirit of the great composer"s age, lending a certain authenticity to the performances and allowing for a vast range of styles both grand and intimate.This 4th and last instalment of Bach"s Complete Organ Works by Stefano Molardi contains some of the most famous organ works by the master: the iconic Toccata & Fugue in D minor BWV 565, the complete Neumeister Chorales, and suitably finishing with one of the most shattering and original organ works ever written: the monumental Passacaglia in C minor BWV 582.The performances by Italian master organist Stefano Molardi have gained great international acclaim, most recently highly praised in BBC 3 CD Review. Playing on historical organs from the time of Bach (here on a magnificent 1720 Thielemann organ in Gräfenhain, Germany) he combines his scholarly historical knowledge with his deep understanding of the underlying human emotions of these eternal masterpieces.The booklet contains excellent liner notes, as well as the full specifications of the organ used.Other information:Recorded in Gräfenhain, Thuringia in September 2013Contains detailed notes for every CD by the performer Nazwa - J.S. Bach: Complete Organ Music vol. 4 Wydawca - Brilliant Classics Kod EAN - 5028421950051 Rok wydania - 2015 Nośnik - Płyta CD Podatek VAT - 23%

Here Stefano Molardi adds to his definitive survey of Bach?s complete organ music an extensive assortment of chorale preludes, concertos after other composers and some of the largest works in the great composer?s sizeable organ repertoire.Rather than organising the music by collection, Molardi provides great variety in his recording by juxtaposing the delicacy of works like the Trio in D minor BWV583 with the imposing Toccata and Fugue in D minor BWV538 and a selection of chorale preludes from the Orgelbüchlein (small-scale works, many under one minute in duration). The brilliant Piece d?orgue BWV572 and the Toccata, Adagio and Fugue in C BWV564 show off Bach?s compositional finesse in the French and Italian styles respectively. The fascinating Canonic Variations BWV769a (recorded here in the Leipzig manuscript version) were written as a kind of ?entrance exam? for the highly-regarded Mizler society; Bach proves his ability in a rigorous mathematical structure which remains musically exciting. Molardi plays the Zacharias Hildebrandt organ of the St. Jacobikirche, Sangerhausen, which has a close affinity with Bach?s organ music: the composer was friendly with Hildebrandt, who lived in Leipzig from 1734. The thrilling sound and variety of tonal colour offered by this instrument allows us to hear the music as closely as possible to how Bach himself might have known it.

The fourth volume in Stefano Molardi?s authoritative collection of J.S. Bach?s organ works, this four-CD release brings together some of the German composer?s most famous music. Chief among these is the Toccata and Fugue in D minor BWV565; with its unforgettable opening bars ? doubled in the octave ? flourished chromaticism, pauses and arpeggios on the diminished seventh, the piece has consistently drawn much critical attention. Some scholars have debated whether it was originally written for the violin, thanks to its astonishing virtuosity and use of parallel thirds and sixths, and others have questioned whether the composition was even penned by Bach himself.Also included on this release are the ?Neumeister? chorales; assembled by Johann Gottfried Neumeister in the 18th century, the collection wasn?t actually published until the 1980s, with the result that these little-recorded preludes still have plenty of room for a new interpretation.Most impressive of all is the range of styles Bach covers in his organ works; from the northern toccata style ? which the composer began to utilise after a stay in Lübeck ? a working of several intricate fugues finished with a toccata-style coda, to the mid-German Sangerhausen style, featuring unusually dissonant harmonisations.Stefano Molardi has chosen the Thielemann organ in Gräfenhain, Thuringia, especially for this release; dating from the 1720s and therefore from the time of the composer himself, its captures the spirit of the great composer?s age, lending a certain authenticity to the performances and allowing for a vast range of styles both grand and intimate.This 4th and last instalment of Bach?s Complete Organ Works by Stefano Molardi contains some of the most famous organ works by the master: the iconic Toccata & Fugue in D minor BWV 565, the complete Neumeister Chorales, and suitably finishing with one of the most shattering and original organ works ever written: the monumental Passacaglia in C minor BWV 582.The performances by Italian master organist Stefano Molardi have gained great international acclaim, most recently highly praised in BBC 3 CD Review. Playing on historical organs from the time of Bach (here on a magnificent 1720 Thielemann organ in Gräfenhain, Germany) he combines his scholarly historical knowledge with his deep understanding of the underlying human emotions of these eternal masterpieces.The booklet contains excellent liner notes, as well as the full specifications of the organ used.Other information:Recorded in Gräfenhain, Thuringia in September 2013Contains detailed notes for every CD by the performer

Stefano Molardi is shaping his recorded survey of Bach?s complete organ music as self-sufficient and musically satisfying recitals which, disc by disc, explore the diverse styles at the composer?s disposal, the flexible usage to which he, the ultimate ?compleat musician?, puts ?his? instrument through its paces, and the different liturgical demands which he was required to meet during the course of his career as he moved from church to court and back again. Grand Weimar- and Leipzig-composed preludes and fugues rub shoulders with intricate trio sonatas which he had initially conceived as chamber music, and between them nestle intimate chorales from his Cöthen days.Accordingly, Molardi makes full use of the potential flexibility of his chosen Trost organ in the Stadtkirche ?Zur Gotteshilfe? in Waltershausen, deep in the provincial heart of Thuringia. This is Bach country, and although the organ has been periodically restored since it was finally inaugurated in 1755, almost 30 years after the work was begun, it retains the classic characteristics of its age and situation: a thorough restoration in 1998 returned the instrument to its original glory.Born in Cremona, Molardi has undertaken a Renaissance career as not only organist but harpsichordist, conductor and scholar, not only at home in the rarified confines of early music but a virtuoso who has performed the complete organ works of Liszt and Franck and made an extraordinary recording of Verdi arranged for organ. These Bach discs are, perhaps appropriately, less overtly spectacular but no less imaginative in their rhythmic and coloristic response.Other information:- A new recording (2013) of Bach?s complete organ works is, even in these overfed and crisis-stricken days, an event of the first order. First of all because the music is of such overwhelming beauty and power, one of the greatest creations of humanity, and secondly because there is still so much to discover and illuminate in these works.- These recordings are based on the choice of instruments: organist Stefano Molardi chose German instruments from Bach?s time, lending an authentic character to the project. This first set features the wonderful Trost Organ of the Stadtkirche Zur Gotteshilfe in Waltershausen, Thuringia, built in 1725 and gloriously restored in 1998.- Stefano Molardi is a ?renaissance man?, organist, harpsichordist, scholar, historian and writer. He recorded extensively for Divox, DGG and other labels. His playing is clear, crisp, free and rhythmically vibrant.- The CD?s are programmed like concerto programmes, a fine diversity of genres and styles, to avoid monotony and uniformity.- All information on the organ, liner notes and artist biography are included in the booklet.

The fourth volume in Stefano Molardi’s authoritative collection of J.S. Bach’s organ works, this four-CD release brings together some of the German composer’s most famous music. Chief among these is the Toccata and Fugue in D minor BWV565; with its unforgettable opening bars – doubled in the octave – flourished chromaticism, pauses and arpeggios on the diminished seventh, the piece has consistently drawn much critical attention. Some scholars have debated whether it was originally written for the violin, thanks to its astonishing virtuosity and use of parallel thirds and sixths, and others have questioned whether the composition was even penned by Bach himself. Also included on this release are the ‘Neumeister’ chorales; assembled by Johann Gottfried Neumeister in the 18th century, the collection wasn’t actually published until the 1980s, with the result that these little-recorded preludes still have plenty of room for a new interpretation. Most impressive of all is the range of styles Bach covers in his organ works; from the northern toccata style – which the composer began to utilise after a stay in Lübeck – a working of several intricate fugues finished with a toccata-style coda, to the mid-German Sangerhausen style, featuring unusually dissonant harmonisations. Stefano Molardi has chosen the Thielemann organ in Gräfenhain, Thuringia, especially for this release; dating from the 1720s and therefore from the time of the composer himself, its captures the spirit of the great composer’s age, lending a certain authenticity to the performances and allowing for a vast range of styles both grand and intimate. This 4th and last instalment of Bach’s Complete Organ Works by Stefano Molardi contains some of the most famous organ works by the master: the iconic Toccata & Fugue in D minor BWV 565, the complete Neumeister Chorales, and suitably finishing with one of the most shattering and original organ works ever written: the monumental Passacaglia in C minor BWV 582. The performances by Italian master organist Stefano Molardi have gained great international acclaim, most recently highly praised in BBC 3 CD Review. Playing on historical organs from the time of Bach (here on a magnificent 1720 Thielemann organ in Gräfenhain, Germany) he combines his scholarly historical knowledge with his deep understanding of the underlying human emotions of these eternal masterpieces. The booklet contains excellent liner notes, as well as the full specifications of the organ used. Other information: Recorded in Gräfenhain, Thuringia in September 2013 Contains detailed notes for every CD by the performer

Here Stefano Molardi adds to his definitive survey of Bach’s complete organ music an extensive assortment of chorale preludes, concertos after other composers and some of the largest works in the great composer’s sizeable organ repertoire. Rather than organising the music by collection, Molardi provides great variety in his recording by juxtaposing the delicacy of works like the Trio in D minor BWV583 with the imposing Toccata and Fugue in D minor BWV538 and a selection of chorale preludes from the Orgelbüchlein (small-scale works, many under one minute in duration). The brilliant Piece d’orgue BWV572 and the Toccata, Adagio and Fugue in C BWV564 show off Bach’s compositional finesse in the French and Italian styles respectively. The fascinating Canonic Variations BWV769a (recorded here in the Leipzig manuscript version) were written as a kind of ‘entrance exam’ for the highly-regarded Mizler society; Bach proves his ability in a rigorous mathematical structure which remains musically exciting. Molardi plays the Zacharias Hildebrandt organ of the St. Jacobikirche, Sangerhausen, which has a close affinity with Bach’s organ music: the composer was friendly with Hildebrandt, who lived in Leipzig from 1734. The thrilling sound and variety of tonal colour offered by this instrument allows us to hear the music as closely as possible to how Bach himself might have known it.