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Stefano Molardi is shaping his recorded survey of Bach’s complete organ music as self-sufficient and musically satisfying recitals which, disc by disc, explore the diverse styles at the composer’s disposal, the flexible usage to which he, the ultimate ‘compleat musician’, puts ‘his’ instrument through its paces, and the different liturgical demands which he was required to meet during the course of his career as he moved from church to court and back again. Grand Weimar- and Leipzig-composed preludes and fugues rub shoulders with intricate trio sonatas which he had initially conceived as chamber music, and between them nestle intimate chorales from his Cöthen days.Accordingly, Molardi makes full use of the potential flexibility of his chosen Trost organ in the Stadtkirche ‘Zur Gotteshilfe’ in Waltershausen, deep in the provincial heart of Thuringia. This is Bach country, and although the organ has been periodically restored since it was finally inaugurated in 1755, almost 30 years after the work was begun, it retains the classic characteristics of its age and situation: a thorough restoration in 1998 returned the instrument to its original glory.Born in Cremona, Molardi has undertaken a Renaissance career as not only organist but harpsichordist, conductor and scholar, not only at home in the rarified confines of early music but a virtuoso who has performed the complete organ works of Liszt and Franck and made an extraordinary recording of Verdi arranged for organ. These Bach discs are, perhaps appropriately, less overtly spectacular but no less imaginative in their rhythmic and coloristic response.Other information:- A new recording (2013) of Bach’s complete organ works is, even in these overfed and crisis-stricken days, an event of the first order. First of all because the music is of such overwhelming beauty and power, one of the greatest creations of humanity, and secondly because there is still so much to discover and illuminate in these works.- These recordings are based on the choice of instruments: organist Stefano Molardi chose German instruments from Bach’s time, lending an authentic character to the project. This first set features the wonderful Trost Organ of the Stadtkirche Zur Gotteshilfe in Waltershausen, Thuringia, built in 1725 and gloriously restored in 1998.- Stefano Molardi is a “renaissance man”, organist, harpsichordist, scholar, historian and writer. He recorded extensively for Divox, DGG and other labels. His playing is clear, crisp, free and rhythmically vibrant.- The CD’s are programmed like concerto programmes, a fine diversity of genres and styles, to avoid monotony and uniformity.- All information on the organ, liner notes and artist biography are included in the booklet....

Here Stefano Molardi adds to his definitive survey of Bach’s complete organ music an extensive assortment of chorale preludes, concertos after other composers and some of the largest works in the great composer’s sizeable organ repertoire.Rather than organising the music by collection, Molardi provides great variety in his recording by juxtaposing the delicacy of works like the Trio in D minor BWV583 with the imposing Toccata and Fugue in D minor BWV538 and a selection of chorale preludes from the Orgelbüchlein (small-scale works, many under one minute in duration). The brilliant Piece d’orgue BWV572 and the Toccata, Adagio and Fugue in C BWV564 show off Bach’s compositional finesse in the French and Italian styles respectively. The fascinating Canonic Variations BWV769a (recorded here in the Leipzig manuscript version) were written as a kind of ‘entrance exam’ for the highly-regarded Mizler society; Bach proves his ability in a rigorous mathematical structure which remains musically exciting. Molardi plays the Zacharias Hildebrandt organ of the St. Jacobikirche, Sangerhausen, which has a close affinity with Bach’s organ music: the composer was friendly with Hildebrandt, who lived in Leipzig from 1734. The thrilling sound and variety of tonal colour offered by this instrument allows us to hear the music as closely as possible to how Bach himself might have known it....

The fourth volume in Stefano Molardi’s authoritative collection of J.S. Bach’s organ works, this four-CD release brings together some of the German composer’s most famous music. Chief among these is the Toccata and Fugue in D minor BWV565; with its unforgettable opening bars – doubled in the octave – flourished chromaticism, pauses and arpeggios on the diminished seventh, the piece has consistently drawn much critical attention. Some scholars have debated whether it was originally written for the violin, thanks to its astonishing virtuosity and use of parallel thirds and sixths, and others have questioned whether the composition was even penned by Bach himself.Also included on this release are the ‘Neumeister’ chorales; assembled by Johann Gottfried Neumeister in the 18th century, the collection wasn’t actually published until the 1980s, with the result that these little-recorded preludes still have plenty of room for a new interpretation.Most impressive of all is the range of styles Bach covers in his organ works; from the northern toccata style – which the composer began to utilise after a stay in Lübeck – a working of several intricate fugues finished with a toccata-style coda, to the mid-German Sangerhausen style, featuring unusually dissonant harmonisations.Stefano Molardi has chosen the Thielemann organ in Gräfenhain, Thuringia, especially for this release; dating from the 1720s and therefore from the time of the composer himself, its captures the spirit of the great composer’s age, lending a certain authenticity to the performances and allowing for a vast range of styles both grand and intimate.This 4th and last instalment of Bach’s Complete Organ Works by Stefano Molardi contains some of the most famous organ works by the master: the iconic Toccata & Fugue in D minor BWV 565, the complete Neumeister Chorales, and suitably finishing with one of the most shattering and original organ works ever written: the monumental Passacaglia in C minor BWV 582.The performances by Italian master organist Stefano Molardi have gained great international acclaim, most recently highly praised in BBC 3 CD Review. Playing on historical organs from the time of Bach (here on a magnificent 1720 Thielemann organ in Gräfenhain, Germany) he combines his scholarly historical knowledge with his deep understanding of the underlying human emotions of these eternal masterpieces.The booklet contains excellent liner notes, as well as the full specifications of the organ used.Other information:Recorded in Gräfenhain, Thuringia in September 2013Contains detailed notes for every CD by the performer...

J. S. Bach's Sonatas and Partitas for solo violin, fully transcribed for the mandolin. Transcribed by a mandolinist, the tablature finger positions have been carefully devised in order to include all voices from Bach's manuscript, with consideration of the

Opis - Here Stefano Molardi adds to his definitive survey of Bach"s complete organ music an extensive assortment of chorale preludes, concertos after other composers and some of the largest works in the great composer"s sizeable organ repertoire.Rather than organising the music by collection, Molardi provides great variety in his recording by juxtaposing the delicacy of works like the Trio in D minor BWV583 with the imposing Toccata and Fugue in D minor BWV538 and a selection of chorale preludes from the Orgelbüchlein (small-scale works, many under one minute in duration). The brilliant Piece d"orgue BWV572 and the Toccata, Adagio and Fugue in C BWV564 show off Bach"s compositional finesse in the French and Italian styles respectively. The fascinating Canonic Variations BWV769a (recorded here in the Leipzig manuscript version) were written as a kind of "entrance exam" for the highly-regarded Mizler society; Bach proves his ability in a rigorous mathematical structure which remains musically exciting. Molardi plays the Zacharias Hildebrandt organ of the St. Jacobikirche, Sangerhausen, which has a close affinity with Bach?s organ music: the composer was friendly with Hildebrandt, who lived in Leipzig from 1734. The thrilling sound and variety of tonal colour offered by this instrument allows us to hear the music as closely as possible to how Bach himself might have known it. Nazwa - J. S. Bach: Complete Organ Music Volume 3 Autor - Molardi Stefano Wydawca - Brilliant Classics Kod EAN - 5028421949819 Rok wydania - 2013 Nośnik - Płyta CD Podatek VAT - 23%

Opis - The fourth volume in Stefano Molardi"s authoritative collection of J.S. Bach"s organ works, this four-CD release brings together some of the German composer"s most famous music. Chief among these is the Toccata and Fugue in D minor BWV565; with its unforgettable opening bars " doubled in the octave " flourished chromaticism, pauses and arpeggios on the diminished seventh, the piece has consistently drawn much critical attention. Some scholars have debated whether it was originally written for the violin, thanks to its astonishing virtuosity and use of parallel thirds and sixths, and others have questioned whether the composition was even penned by Bach himself.Also included on this release are the "Neumeister" chorales; assembled by Johann Gottfried Neumeister in the 18th century, the collection wasn"t actually published until the 1980s, with the result that these little-recorded preludes still have plenty of room for a new interpretation.Most impressive of all is the range of styles Bach covers in his organ works; from the northern toccata style " which the composer began to utilise after a stay in Lübeck " a working of several intricate fugues finished with a toccata-style coda, to the mid-German Sangerhausen style, featuring unusually dissonant harmonisations.Stefano Molardi has chosen the Thielemann organ in Gräfenhain, Thuringia, especially for this release; dating from the 1720s and therefore from the time of the composer himself, its captures the spirit of the great composer"s age, lending a certain authenticity to the performances and allowing for a vast range of styles both grand and intimate.This 4th and last instalment of Bach"s Complete Organ Works by Stefano Molardi contains some of the most famous organ works by the master: the iconic Toccata & Fugue in D minor BWV 565, the complete Neumeister Chorales, and suitably finishing with one of the most shattering and original organ works ever written: the monumental Passacaglia in C minor BWV 582.The performances by Italian master organist Stefano Molardi have gained great international acclaim, most recently highly praised in BBC 3 CD Review. Playing on historical organs from the time of Bach (here on a magnificent 1720 Thielemann organ in Gräfenhain, Germany) he combines his scholarly historical knowledge with his deep understanding of the underlying human emotions of these eternal masterpieces.The booklet contains excellent liner notes, as well as the full specifications of the organ used.Other information:Recorded in Gräfenhain, Thuringia in September 2013Contains detailed notes for every CD by the performer Nazwa - J.S. Bach: Complete Organ Music vol. 4 Wydawca - Brilliant Classics Kod EAN - 5028421950051 Rok wydania - 2015 Nośnik - Płyta CD Podatek VAT - 23%

Orchestral Works Chamber MusicCD1-2 Brandenburg ConcertosCD3-4 Orchestral SuitesCD5 Violin ConcertosCD6-7 Harpsichord ConcertosCD8 Concertos for 2 & 3 harpsichordsCD9 Double ConcertosCD10-11 Solo Violin Sonatas and PartitasCD12-13 Cello SuitesCD14-15 Flute Sonatas BWV 1030-1035CD16-17 Lute Works BWV 995-1000CD18 Viola da Gamba SonatasCD19 Ein musikalisches OpferCD20-21 Violin Sonatas BWV 1014-11019CD22 Notenbuchlein fur Anna Magdalena BachCD23 Violin Sonatas BWV 1021-1023, Trio Sonatas BWV 1038,1039Keyboard WorksCD24-27 The Well-Tempered ClavierCD28-29 PartitasCD30-32 Sonatas, Suites, Preludes & Fugues (Works from period 1700-1710)CD33 Italian Concerto, Chromatic Fantasy & Fugue, French OvertureCD34 Goldberg Variations CD35-36 English SuitesCD37-38 Concerto TranscriptionsCD39-40 French SuitesCD41 TocattasCD42-43 Die Kunst der FugeCD44 Sonatas, Suites, FantasiasCD45 Suites, Fantasias, Preludes & FuguesCD46 Inventions & SimfoniasCantatasCD47 BWV 80, 82, 61CD48 BWV 16, 170, 133CD49 BWV 97, 132, 72CD50 BWV 113, 42CD51 BWV 33, 56, 37CD52 BWV 92, 54, 44CD53 BWV 111, 159, 165, 22CD54 BWV 114, 57, 155CD55 BWV 98, 188, 23CD56 BWV 135, 86, 85, 167CD57 BWV 172, 182, 90CD58 BWV 106, 199, 161CD59 BWV 99, 35, 17CD60 BWV 123, 87, 173CD61 BWV 117, 153, 168CD62 BWV 130, 138, 81CD63 BWV 149, 69, 169CD64 BWV 45, 150, 122CD65 BWV 116, 13, 144CD66 BWV 102, 7, 196CD67 BWV 46, 107, 179CD68 BWV 6, 163, 96CD69 BWV 178, 156, 27CD70 BWV 115, 55, 94CD71 BWV 26, 164, 139CD72 BWV 103, 185, 2CD73 BWV 60, 78, 151CD74 BWV 128, 154, 62CD75 BWV 192, 93, 145, 171CD76 BWV 8, 186, 3CD77 BWV 198, 110CD78 BWV 73, 125, 157CD79 BWV 9, 91, 47CD80 BWV 152, 121, 166CD81 BWV 36, 184, 129CD82 BWV 140, 88, 79CD83 BWV 194, 176, 89CD84 BWV 100, 108, 18CD85 BWV 40, 84, 30CD86 BWV 136, 187, 49CD87 BWV 195, 1, 63CD88 BWV 51, 32, 14CD89 BWV 109, 58, 162CD90 BWV 104, 83, 50, 183CD91 BWV 5, 38, 20CD92 BWV 146, 28, 48CD93 BWV 39, 143, 175, 65CD94 BWV 180, 197, 52CD95 BWV 137, 25, 119, 43CD96 BWV 75, 59, 21CD97 BWV 101, 127, 95, 124CD98 BWV 12, 74, 177CD99 BWV 71, 76, 10CD100 BWV 64, 134, 105CD101 BWV 4, 158, 131, 70CD102 BWV 147, 181, 66CD103 BWV 148, 174, 112, 68CD104 BWV 77, 24, 126, 67CD105 BWV 34, 31, 19CD106 BWV 41, 29, 120Vocal WorksCD107-8 Mass in B minorCD109-110 Missae BrevesCD111-112 Schemellis GesangbuchCD113 MotetsCD114 Easter OratorioCD115-122 Secular Cantatas BWV 201-215CD123-125 Matthaus-PassionCD126-127 Johannes-PassionCD128-129 Markus-PassionCD130-131 Weinachts-OratoriumCD132 Himmelfahrts-OratoriumCD133 Tilge, Hochster, meine Sunden BWV 1083, MotetsCD134 MagnificatCD135-140 ChoraleOrgan WorksCD141 BWV 651-661CD142 BWV 645-650, 662-668CD143 BWV 531, 532, 592, 730, 731, 733, 653b, 736, 589, 588, 735CD144 BWV 551, 535, 766, 525, 542, 690, 691, 131aCD145 BWV 599-633CD146 BWV 635-644, 561, 585, 553-560CD147 BWV 536, 539, 705, 576, 563, 593, 587, 590 696-704, 694, 695CD148 BWV 767, 700, 702, 706, 707, 709, 710, 526, 541, 586, 564CD149 BWV 1090-1107, 567, 569, 549, 570, 571,594CD150 BWV 1108-1120, 533,550,527,582CD151 BWV 562, 713, 575, 768, 537, 528, 544CD152 BWV 565, 594, 579, 718, 1027a, 548CD153 BWV 568, 943, 729, 545, 572, 597, 540CD154 BWV 547, 595, 574, 577, 578, 583, 538CD155 BWV 669-685CD156 BWV 686-689, 802-805, 596, 529, 566CD157 BWV 534, 543, 546, 770, 530, 580DVD1 Matthaus-PassionDVD2 Johannes-Passion

In 1717 Johann Sebastian Bach entered the service of the Prince of Anhalt-Cöthen. It was an appointment that was to prove highly fruitful, as, free from ecclesiastical duties and with an instrumental ensemble of about 17 players to hand; Bach took the opportunity to expand his instrumental output -- writing, among others, a collection of violin concertos.Also dating from this period are the Harpsichord Concertos, products of the composer's association with the Telemann Musical Society. Indeed, just as Handel is credited with the birth of the organ concerto, the harpsichord concerto owes its origins to J.S. Bach -- whose weekly appearances at the Society were an ideal forum in which to transcribe extant concerto movements for solo and multiple harpsichords. From the sunny disposition of BWV1053 to the dramatic interplay between solo parts in BWV1062, Bach effectively cultivated a new, heightened form of expression in all these works -- the majority of which are probably transcriptions of earlier (including lost) violin concertos by himself and others.Dedicated to the composer's complete works in the medium, this release celebrates the birth of one of the most important genres in music history. Christine Schornsheim, Pieter-Jan Belder and their harpsichord colleagues provide commanding readings, and are deftly supported by the Neues Bachisches Collegium Musicum and Musica Amphion; spanning 3 CDs and over three hours of performances, this recording represents compulsive listening for the harpsichord connoisseur and Baroque enthusiast alike.Other information:- Recordings made 1990 (CD1) & 1992 (CD2), Paul-Gerhardt-Kirche, Leipzig; May & June 2006, Schiedam/Leiden (CD3).- This release contains the solo concertos and the concertos for 2, 3 and 4 harpsichords.- Booklet notes included

No more than a handful of pieces represent the entire musical heritage for baroque lute by Johann Sebastian Bach -- not a lot when we consider the enormity of the composer's total output. Although it is not known whether Bach himself played the instrument, the seven works which are ascribable to it continue to enjoy extraordinary attention on the part of musicians due to their exceptional quality, and indeed the majority originate from the areas of Germany that were home to the lute's greatest exponents -- musicians who we can be almost certain the composer came into contact with.This recording thus presents four compositions in suite form and three pieces of a different nature, all belonging to the florid repertoire of the courtly Salonmusik that was in vogue among the German upper classes at the time. Performing them is acclaimed Italian lutenist Mario D'Agosto, whose changes in tonality aim to better serve the capacities of the instrument (BWV 996 and 997, for instance, were written for the 'Lautenwerk', a sort of lute-harpsichord favoured by Bach) and whose embellishments are testament to the high level of ornamentation which played such an intrinsic role in baroque performance practice.Other information:- Recorded January -- April 2012, TVA Studio, Ascea, Salerno, Italy.- Although the lute was an enormously popular instrument in his time, Johann Sebastian Bach wrote only a handful of works specifically for it: 4 suites and 3 separate works. These works however explore the instruments possibilities to the full, and became master works in their genre.- This new recording by Italian lutenist Mario d'Agosto uses a 13-course Baroque lute. The skilful embellishments of his playing reflect the Baroque period's advanced art of ornamentation.- Booklet contains notes on the composer and music, as well as a biography of the artist.

Here Stefano Molardi adds to his definitive survey of Bach?s complete organ music an extensive assortment of chorale preludes, concertos after other composers and some of the largest works in the great composer?s sizeable organ repertoire.Rather than organising the music by collection, Molardi provides great variety in his recording by juxtaposing the delicacy of works like the Trio in D minor BWV583 with the imposing Toccata and Fugue in D minor BWV538 and a selection of chorale preludes from the Orgelbüchlein (small-scale works, many under one minute in duration). The brilliant Piece d?orgue BWV572 and the Toccata, Adagio and Fugue in C BWV564 show off Bach?s compositional finesse in the French and Italian styles respectively. The fascinating Canonic Variations BWV769a (recorded here in the Leipzig manuscript version) were written as a kind of ?entrance exam? for the highly-regarded Mizler society; Bach proves his ability in a rigorous mathematical structure which remains musically exciting. Molardi plays the Zacharias Hildebrandt organ of the St. Jacobikirche, Sangerhausen, which has a close affinity with Bach?s organ music: the composer was friendly with Hildebrandt, who lived in Leipzig from 1734. The thrilling sound and variety of tonal colour offered by this instrument allows us to hear the music as closely as possible to how Bach himself might have known it.

Johann Sebastian Bach?s stature as a composer of extraordinary talent and widespread influence is so firmly established in Western culture that it is difficult to believe that only 150 years ago his works lay in veritable obscurity, unknown to all but a small group of scholars. It is largely thanks to ohn, who essentially effected a revival of the composer?s music through his rediscovery and promulgation of the St Matthew Passion, besides other pieces, that his works are today regarded as pinnacles of music expression. That they are among the most performed and widely attended is in no doubt; in Holland alone, thousands of singers and musicians are involved in dozens of performances of the St Matthew Passion in Holy Week, with hundreds of thousands listening in churches and concert halls, or gathered around the radio, to what has been described as ?the Gospel according to Bach?.Bringing together all of his works, this dynamic 142-CD set offers a resounding impression of this great spirit of our Western culture, presenting dynamic performances ? many period-based, many acclaimed by the international press ? that are divided according to genre, thus making for a highly user-friendly compendium. The set draws on all periods of his career, tracing the development of a style that was much influenced by contemporary and past fashions but which was always adapted to Bach?s own purpose, often far surpassing the models on which he drew. The German composer travelled a great deal from city to city, and the different circumstances of his various positions are reflected in the great range of works comprising his output: while his early years are dominated by much keyboard music, on account of the numerous organist posts he held during this period, later positions at various courts accorded him more personal and artistic freedom ? in Cöthen, for example, Prince Leopold?s passion for music-making and his renowned resident orchestra resulted in a string of unforgettable works including the Brandenburg Concertos, the Solo Cello Suites and the Well-Tempered Clavier Part 1, beside many others.Bach was a master of all genres, whether sacred, secular, instrumental or vocal, and his oeuvre is a rich mixture of severe Baroque craftsmanship and expressive Romanticism. Thomas Zehetmair, Kristóf Baráti, the Gewandhausorchester Leipzig, René Jacobs, Peter Schreier and Lucia Popp are just a handful of the first-class performers and ensembles gracing this set. At the bargain price of ?100, it is a collection not to be passed up.Other information:- 142 CDs representing the entirety of Johann Sebastian Bach?s oeuvre in historically informed performances. This includes all 200 sacred cantatas recorded for Brilliant Classics on period instruments and sung by the Holland Boys Choir.- For reasons of completeness, pure musical enjoyment, scholarly research, attractive, spacesaving design and price, you cannot afford to be without Brilliant Classics? Complete Bach Edition.