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Schumann was the quintessential Romantic: perhaps uniquely in his own time, certainly when the present works were written. Like most of his piano music, these pieces date from his early manhood, and all, in one way or another, exemplify his benign egotism and the fundamental generosity of his beleaguered spirit. More concerned with juxtaposing isolated ?scenes? than depicting cumulative plots, Schumann derived a unique form of drama from the interaction of contrasting characters. Carnaval (1835), like Elgar?s ?Enigma? Variations, is a spectacularly wide-ranging portrait gallery, better regarded as a masked ball than a conventional set of variations. But it was not his first. That honour goes to Papillons (?Butterflies?), composed four years earlier and modelled on the ball scene from the novel Flegeljahre by his literary idol, Jean Paul.Composed between Papillons and Carnaval, the magnificent, highly virtuosic Toccata ? woefully-often mistaken for a kind of super-Czerny ? combines Classical and Baroque influences, both formally and texturally. Sadly, it coincided with, and indeed reflects, the loss to progressive paralysis between 1829 and 1833 of the third finger of Schumann?s right hand: virtually all of this extremely difficult piece can be played without the use of that very finger.

Simonacci, Giancarlo - Carnaval Venitien1. Florindo2. Rosaura3. Colombine4. Le Signeur ArlequinSimonacci, Giancarlo - Le Bal De La Poupee (DansesLa Valse De Mademoiselle LiliLa Polka De La PoupeeLe Quadrille Des Bebes Incassables: PantalonLe Quadrille Des Bebes Incassables: EteLe Quadrille Des Bebes Incassables: PouleLe Quadrille Des Bebes Incassables: PastourelleLe Quadrille Des Bebes Incassables: FinaleLa Mazurka De Monsieur LoulouLes Lanciers De Mademoiselle Ninette: Figure 1Les Lanciers De Mademoiselle Ninette: Figure 2Les Lanciers De Mademoiselle Ninette: Figure 3Les Lanciers De Mademoiselle Ninette: Figure 4Les Lanciers De Mademoiselle Ninette: Figure 5Ser Roger De CoverleyGalop AbracadabrantBonne Nuit, Poupee! (Petite Berceuse)Simonacci, Giancarlo - Le Livre Des Serenades (NacNr. 1 Serenade ArabeNr. 2 Serenade FrancaiseNr. 3 Serenade HavanaiseNr. 4 Serenade NapolitaineNr. 5 Serenade EgyptienneNr. 6 Serenade AnglaiseNr. 7 Serenade IndienneNr. 8 Serenade De PolichinelleNr. 9 Serenade MauresqueNr. 10 Serenade HongroiseNr. 11 Serenade VeninienneNr. 12 Serenade EspagnoleNr. 13 Serenade AllemandeNr. 14 Serenade RusseNr. 15 Serenade Chinoise