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Płyta 1. Scandali, Luca - Sonate Fuer Orgel D-dur Wq 70,5 1. Allegro Di Molto 2. Adagio E Mesto 3. Allegro Scandali, Luca - Fuge D-moll Wq 119, 2 Allegro Di Molto Scandali, Luca - Sonate Fuer Orgel F-dur Wq 70,3 1. Allegro 2. Largo 3. Allegretto Scandali, Luca - Fuge D-moll Wq 119,3 Allegro Scandali, Luca - Sonate Fuer Orgel G-moll Wq 70,6 1. Allegro Moderato 2. Adagio 3. Allegro Scandali, Luca - Fuge D-moll Wq 119,5 Allegro Di MoltoPłyta 2. Scandali, Luca - Sonate Fuer Orgel A-moll Wq 70,4 1. Allegro Assai 2. Adagio 3. Allegro Scandali, Luca - Fuge D-moll Wq 1194 Allegretto Scandali, Luca - Sonate Fuer Orgel B-dur Wq 70,2 1. Allegro 2. Arioso 3. Allegro Scandali, Luca - Fuge D-moll Wq 119,6 Alle Breve Moderato Scandali, Luca - Fuge Fuer Orgel D-moll H 372 Moderato Scandali, Luca - Adagio D-moll Wq N.v.66 Scandali, Luca - Prelude D-dur Wq 70,7 Grave - Presto - Grave - Presto Scandali, Luca - Ich Ruf Zu Dir, Herr Jesu Christ Scandali, Luca - Aus Der Tiefe Rufe Ich, Herr, Zu Scandali, Luca - Choraele Mit Ausgesetzten Mittels Nr. 1 O Gott, Du Frommer Gott Nr. 2 Ich Bin Ja, Herr, In Deiner Macht Nr. 3 Jesus, Meine Zuversicht Nr. 4 Wer Nur Den Lieben Gott Laesst Walten Nr. 5 Komm, Heiliger Geist, Herre Gott Scandali, Luca - Fantasie Und Fugue C-moll Wq 119, Allegretto - Allegro...

Although perhaps better known for his intricate keyboard works than his orchestral music, J.S. Bach’s most prolific son was also a sympathetic composer for larger ensembles. As a young composer, C.P.E. Bach turned his hand to the symphony form once or twice, but it was not until his move from Berlin to Hamburg in 1768 that he began to develop these initial attempts into more substantial compositions.In Hamburg Bach drew the attention of Baron Gottfried van Swieten, who commissioned two sets of symphonies from the composer: six for string orchestra (Wq182) and the four Orchestral Symphonies ‘mit zwölf obligaten Stimmen’ (Wq183). Accomplished though the string symphonies undoubtedly were, it was the second group that Bach was truly proud of; for the first time, the wind parts – as the name suggests – were intricately woven into the score rather than being a simple ‘additional feature’. The texture of the music is noticeably more complex, and while Bach’s earlier symphonies take their cue from his contemporary Johann Gottlieb Graun, these later ones are much bolder works that reveal the development of Bach’s own unique style. Interesting features include the composer’s tendency to through-compose his first movements; his dancelike finales; and the fact that he often marks pairs of movements or even whole symphonies to be played straight through without a break, an unusual feature of the time. Part of a series of C.P.E. Bach releases, this is the first volume to explore the composer’s works for orchestra. The recording was made by the renowned Kammerorchester Carl Philipp Emanuel Bach in 1985–6 and directed by Hartmut Haenchen; experts in the composer’s early Classical style, the ensemble performs on modern instruments while achieving much authenticity in terms of texture.This release presents the 4 symphonies that Carl Philipp Emanuel Bach wrote during his stay in Hamburg. In these large-scale works the string section is extended with 2 flutes, 2 oboes, 2 horns and bassoon, instruments which are treated quasi solistically, so that one can almost speak of a Sinfonia Concertante.The musical language is clearly “Sturm und Drang”, full of vehement dynamics and changes of sentiment, the fingerprint of this most famous son of Johann Sebastian.Excellent performances on modern instruments but in 18th century spirit by the Kammerorchester Carl Philipp Emanuel Bach, conducted by the great Hartmut Haenchen.Other information:Recorded in Germany in 1985–6.Contains notes on the works....

The perfect companion for professional and amateur musicians performing music of the eighteenth century, this book distinguishes various types of appoggiaturas and trills, shows how to perform them, and notes differences between baroque and rococo ornamentation.

Celebrating the Tricentenary of his birth, this new release presents Carl Philipp Emanuel Bach's complete sonatas for flute solo and harpsichord.Passion and music went hand in hand in the Baroque era. Not only was music a way to express the passion of the composer, but it could also stimulate it in the listener. In this special collection of Carl Philipp Emmanuel Bach's complete solo flute sonatas, it is easy to hear how the composer kept his emotions close to the surface, as he pours into his works the joy and irritations of his daily life. These wonderful performances draw the listener in to the imagination of the composer and allow them to feel his innermost blushes, tears and ecstasy.The sonatas are performed on period instruments by Musica ad Rhenum, one of the world's leading early music groups, which has earned an international following since its formation in 1992. Jed Wentz plays the transverse flute, and is accompanied by Job ter Haar (cello) and Michael Borgstede (harpsichord).Other information:- Recorded in 2012 and 2013.- Contains information on the works, the period instruments and performers.- Carl Philipp Emanuel is the most adventurous and original of the great Johann Sebastian's many composing sons. His style is free, elaborate and highly personal, embodying the "Sturm und Drang" movement of his time, which gave prominence to the expression of personal feelings and emotions.- A warm welcome to this first new solo recording in several years by Jed Wentz, highly esteemed traverso player, champion of the Historically Informed Performance Practice, scholar and passionate musician. His former recordings for Brilliant Classics have been highly acclaimed; his Bach Flute Sonatas received the prestigious Diapason d'Or. Again his partner is Michael Borgstede, himself a brilliant soloist (his BC discography contains the Suites by Handel and the harpsichord works by Couperin), together forming a perfect match in this highly attractive music.

Helianthus Ensemble - Quartett Fuer Cembalo, Flote 1. Andantino 2. Largo E Sostenuto 3. Allegro Assai Helianthus Ensemble - Quartett Fuer Cembalo, Flote 1. Allegretto 2. Adagio (Sehr Langsam Und Ausgehalten) 3. Allegro Di Molto Helianthus Ensemble - Duett Fuer Flote Und Violine 1. Andante 2. Allegro 3. Allegretto Helianthus Ensemble - Quartett Fuer Cembalo, Flote 1. Allegretto 2. Adagio 3. Presto Helianthus Ensemble - Triosonate A-dur Wq 146 1. Allegretto 2. Andante 3. Vivace